Although they disagree on everything, a brotherhood is forged through their shared humanity. Circumstances force these polar opposite figures to travel together from Bhubaneswar to Chennai. Anbe Sivam is a buddy road film involving a trade-union activist Nalla Sivam and an upper-class ad-executive Anbarasu (Madhavan). Kamal took on the themes of globalization, religious fatalism, and economic disparity in this brilliant re-working of Planes, Trains, and Automobiles (1987). Moreover, the themes of displacement addressed in the film were about as universal as could be. The humane perspective organically flows unlike the contrived nature in Bombay or Roja. Unlike, Ratnam’s previous issue-based films, Amudha’s central conflict is intricately realized. On Amudha’s insistence, the adopted parents make a trip to the escalating war zones of Sri Lanka. Her biological mother was a Sri Lankan Tamil refugee, who returned to her people in Sri Lanka. On her ninth birthday, Amudha finds out she is adopted. The only drawback is its ending, which brings upon a contrived crisis to redeem the couple’s love.
AR Rahman’s intoxicating music is yet another reason to watch it. The film’s strong point is Madhavan and Shalini’s charming performances. However, it sensitively spans their love from the early blossoming to the near-wilting phase. The film starts off like just another feel-good romance between an urban boy and a girl. But, as usual, the renowned director executes it with a heart and tangible emotions. Mani Ratnam’s Alaipayuthey is a simple and thin love story. Indeed, it’s a very relevant film for today’s India, where insensitive politicians with power shout words like ‘Hindu nationalism.’ Haasan designed the tale with multiple, profound layers, that suggest how religious intolerance invokes generations of hatred and violence.
And his personal journey takes us closer to the dark, bloody chapters of Indian independence. The collective madness of the nation deeply traumatizes Ram’s psyche. Hey Ram tells Saketh Ram’s story, an archaeologist caught in Kolkata’s pre-partition communal violence. Today, the film is considered one of our most brave and unique works.
TAMIL SUPER HIT LOVE MOVIES MOVIE
At the time of its release, the visual imagery was too complex for an average Tamil/Indian movie viewer. Kamal Haasan’s controversial historical fiction Hey Ram explored one of the taboo subjects in Indian cinema. If its limited business scope is broadened, and the so-called star-actors choose sensible projects, more rewarding years will await the industry. The new crop of directors are more nuanced in constructing visual form. Since 2000, content-driven Tamil cinema has reaped more success than some of the easily forgettable, star-based vehicles. It may not have produced as many artistic works as Malayalam or Bengali cinema, but its filmmakers have often transcended rigid boundaries of mainstream Indian cinema. One thing I admire about Tamil cinema is the elaborate portrayal of ethnolinguistic traditions. Unlike Bollywood, Tamil film narratives offer a richly detailed study of the smaller social milieu. Although less represented as ‘regional’ cinema, its directors have rapidly emerged as key players in the 21 st century Indian cinema. Tamil cinema is one of India’s most prolific and increasingly significant film industries.
0 kommentar(er)
